The show designed for the tour had to respond to the concept and naming previously described. This is why we soon realized that it had to follow a musical format. A musical that would straightly harked back to the world of Broadway and the cabaret of Kurt Weill. Given this, to differentiate ourselves from the September Songs documentary, we decided that the staging of the tour would not reflect the rawness and darkness of its songs, but quite the opposite. Our project, a totally shining, golden and happy universe, is full of irony as humanity emotionally trying to overcome a harsh reality, putting make-up on it and making a show out of it, turning it into something less real and less spiritually aggressive.